Apologia
Sometimes, the universe surprises you in the most unexpected ways. As many of you know, my journey in theatre has been a tapestry of varied experiences. Today, I find myself on the cusp of a moment that feels surreal: directing a piece inside the historic Swedenborg House, once the sanctuary of the legendary Philip James de Loutherbourg. His transformative influence on theatre remains undeniable, and to be here, in this space, is nothing short of overwhelming. But here's the part that gives me pause:
I'm a woman directing in the 21st century, in a space where, centuries ago, the very idea might have been inconceivable.
It's a potent reminder of the strides we've made in the world of art and culture, and the bridges we're building between then and now.This isn't just about one play or one director; it's a reflection of our collective journey in the arts, honoring the giants on whose shoulders we stand, while looking forward to the horizons yet to be explored.
Every era has its enigmas, and the 18th century was no exception. Among its luminaries, Count Cagliostro stands apart—a dazzling figure often overshadowed by his own legend. The tales surrounding him are many, weaving a narrative of mysticism, alchemy, and courtly intrigue. But who was the man behind the grand title and even grander tales?
Cagliostro's life was a tapestry of vibrant threads, some shimmering with brilliance and others shadowed by controversy. While the world saw him as an alchemist, a healer, or even a charlatan, I see a complex individual—a man constantly in search of identity, understanding, and a place in a world that often seemed bewildering. His journey, marked by both triumphs and trials, speaks to the universal human experience of seeking purpose and connection.
As a director, my mission goes beyond merely retelling his story. It is about diving deep into Cagliostro's psyche, exploring the nuances of his character, and understanding the forces that shaped him. It is about capturing the essence of a man who, despite his larger-than-life persona, grappled with emotions, desires, and vulnerabilities like any other.
Working alongside Maurizio, the gifted actor portraying Cagliostro, our collaborative journey becomes even more enriching. Together, we strive to peel back the layers, delving into the mind and heart of this multifaceted individual. Through rigorous rehearsals, discussions, and character explorations, Maurizio and I aim to present Cagliostro in his truest form—not just as a historical figure but as a living, breathing entity, palpable in his joys, sorrows, and internal conflicts.
In our quest, Swedenborg House provides a nurturing backdrop, offering us the space and ambiance to explore, experiment, and eventually, embody Cagliostro's spirit. Our collective endeavor is not merely to narrate a tale but to resurrect a soul, ensuring that the true essence of Count Cagliostro resonates with our audience, transcending time and reminding us all of the intricate tapestry of the human spirit.
A Token of Appreciation: Working alongside Gillian McIver
In this theatrical journey, I must extend a heartfelt acknowledgment to my producer Gillian McIver. Based in London, Gillian is not just an artist but wears multiple hats - an art historian, filmmaker, and curator. Her deep dive during her residency at Swedenborg House has seen her exploring the life and works of Swedenborg’s associate, the artist Philip James de Loutherbourg. Investigating Loutherbourg’s occult practices, theatre work, paintings, friendships (with Cagliostro, Gainsborough and others) and his groundbreaking inventions, Gillian’s discoveries and collaborations will be manifested in exhibitions and live performances at Swedenborg House during the residency.
Yours,
Jagoda Winter (Kamov)
Please find below the work I have done for this project.
PROFANE & SCARED CITY
18th November 2023 - 18th November 2023
APOLOGIA
24,25 August,2024, Camden Fringe Festival, Old Red Lion
INTO THE SUBLIME - The Eidophuskion Reimagined
18th November 2023 - 18th November 2023