Jagoda Winter
Jagoda Nasic Winter born in Croatia with a rich heritage of Croatian, Italian and Japanese descent, my early life was shaped by the challenging times surrounding Yugoslavia's war. During the conflict, I found solace and expression in the arts from a tender age. My journey into creative realms began with writing at five, developing worlds that provided refuge from the uncertainties of my childhood.The transformative power of theater struck me profoundly when I was ten, during a post-war performance of "Romeo and Juliet" in a historic 16th-century house. Despite the modest setting, the compelling delivery by the actors and the collective joy of the audience underscored the unifying strength of theater. This experience cemented my love for storytelling and sparked a lifelong passion for the performing arts. After recovering from a serious car accident at seventeen, I was introduced to the RI Teatar Drama School under the guidance of Bojan Lakos, where I graduated in 2011. This period marked a deepening of my theatrical pursuits, kindling a newfound passion for acting. In 2012, I explored the dimensions of Corporal Mime and Physical Theatre under Jorge Correa Bethencourt, discovering a profound love for movement-based storytelling. Further honing my craft, I attended the Royal Scottish Academy's program on Shakespeare and Greek tragedy in 2013.
My post-education years were filled with diverse performances in various movies and theater stages across London. This rich period of artistic exploration culminated in my directorial debut in 2019 with "Puggo's Dream," a production that showcased my ability to lead and inspire.This journey led to the creation of Art'Morte company, a collective dedicated to exploring themes of mortality, silence, nihilism, and absurdism. Our productions strive not to dwell solely in darkness but to interlace humor and light, reflecting the spectrum of human experience.At Art'Morte, we believe that art is not just a form of entertainment but a means of connecting deeply with others, exploring the complex interplay of emotions, and ultimately, healing. We are committed to producing works that challenge, entertain, and inspire, offering both a mirror and a window to those who engage with our performances.​
DIRECTING WORK
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Dog Shit 2024, Theatre 503 - (Assistant Director)
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Director / WriterPuggo's Dream (2019, Theater Technis),
Director/ Writer Coco ( 2021, Camden's People Theatre, Baron's Court Theatre),
Director / Writer The Dumb Man (2022, Cockpit Theatre),
Director - Apologia (2023/2024, Swedenburg House, Old Red Lion)
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2023 - Mike Alfreds - Directing Masterclass
2023 - Barbara Houseman Acting
Directing
Art'Morte Production
artmorteproduction@gmail.com​​
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IG: jagodausumi
Young Vic Creator - Director - Creator Program